Review | The heartbreak that follows Netflix’s ‘One Day’ is worth the beautiful watch
Sophia Connolly, Arts Reporter
• February 27, 2024
Inside of Iowa City’s Big Queer Dating Show
Avi Lapchick and Isabella Nekvinda
• February 27, 2024
Review | ‘Drive-Away Dolls’ brings LGBTQ+ spin to road trip comedy
Madison Christenson, Arts Reporter
• February 26, 2024
Review | Netflix’s ‘Avatar: The Last Airbender’ attempt is a good, not great adaptation
Riley Dunn, Arts Reporter
• February 25, 2024
Review | ‘Red’ is an immersive and philosophical play
Charlie Hickman, Assistant Arts Editor
• February 25, 2024
Review | ‘Madame Web’ tells an aggressively nonsensical story in the worst way possible
Charlie Hickman, Assistant Arts Editor
• February 22, 2024
Review | Brittany Howard’s ‘What Now’ is a masterclass in musical creativity
Evan Weidl, Opinions Editor
• February 21, 2024
Seeing the stage from both sides: Two Iowa actors to perform in ‘Hairspray’ at Hancher
Avi Lapchick, Arts Editor
• February 20, 2024
New student magazine explores in-depth storytelling
Sophia Connolly, Arts Reporter
• February 20, 2024
Talented Iowa City students receive recognition for powerful writing
Riley Dunn, Arts Reporter
• February 20, 2024
Review | ‘The Sweet East’ tells a jarring tale that left audiences bewildered
Caden Gantenbein, Arts Reporter
• February 20, 2024
A look at ‘West Illinois Glass House’ and the university’s production process
Grant Darnell, Arts Reporter
• February 20, 2024
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