Point/Counterpoint: Which song from the new boygenius EP is the best?
Jami Martin-Trainor and Parker Jones
• October 15, 2023
Warlock Hour Festival 2: The perfect birthday celebration
Stella Shipman, Arts Editor
• October 15, 2023
Hancher presents ‘Love in Exile’ and ‘In These Times,’ an artistic collaboration for the Infinite Dream Festival
Emma Gaughan, Arts Reporter
• October 13, 2023
Shade of Blue: UI alumni band’s 30-year history
Avi Lapchick, Arts Editor
• October 9, 2023
Rapper Swae Lee takes the stage at packed UI Homecoming concert
Will Bower, Arts Reporter
• October 7, 2023
Review | ‘Cousin’ returns Wilco to their soft rock roots with the perfect autumn album
Charlie Hickman, Arts Reporter
• October 3, 2023
Iowa City princess-punk band Early Girl makes music for all
Zhenya Loughney, Arts Reporter
• October 3, 2023
Review | Jazz group Late Aster concocts a heady mix of genres in newest EP
Caden Gantenbein, Arts Reporter
• October 1, 2023
Review | Green Day sparks nostalgia with 30th anniversary “Dookie” deluxe album release
Zhenya Loughney, Arts Reporter
• October 1, 2023
IC Singers and Songwriters Collective changes the tune of local aspiring artists
Caden Gantenbein, Arts Reporter
• September 28, 2023
Review | Caroline Shaw, Attacca Quartet play for intimate audience at Hancher Auditorium
Lily Czechowicz, Arts Reporter
• September 19, 2023
Review | Laufey’s ‘Bewitched’ tells a beautiful story of love, heartbreak, and life lessons
Will Bower, Arts Reporter
• September 18, 2023
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